Which is a little like being not all that different from Michael Jordan on a basketball court. Captain is warmer and less abrasive than it's predecessor, but for all its supposed blend of the band's influences, it's not that different from Falling Right Down. Those influences run from '50s rock and American punk to Alice Cooper and English thrash pioneers Venom. And if you're in some strange fucking mood, and you want a mix of our personal influences pick up the second one." You don't wear the same clothes every single day do you? If you feel for some straight, simple garage, you listen to the first one. "It depends on what mood your in," they told Shade. The band doesn't know which CD it likes better. More melodic if less intense, Captain's diversity points to bigger things. With Captain of My Ship, the band's 2000 sophomore effort and it's last album with bassist Peter Kalin (who has recently replaced by Dimberg), expanded the band's sound and added much-needed bottom to the album's mix. The album's sound is as refreshing as it is effortlessly classic. Lilja's fuzz is skin-flayingly hot and his vocal is vintage garage, but the band brought a new intensity and a few modern touches to the material. If the album's production suffers from an almost complete lack of bottom and the sheer energy of the songs takes a few listenings to keep everything straight, Falling Right Down is nevertheless an exhilarating CD. The propulsive drive of the album is unrelenting, even when the band attempts to swing, as it does on the album's closer, "Memories." Falling Right Down is the sound of a hungry band. Falling Right Down's tonal palette was dominated by Lilja's lacerating fuzztone (a Fitta Fuzz pedal on the band's first album), throaty tenor, and Wind's piercing Farfisa. Where the Chocolate Watch Band and The Standells were pop groups, The Strollers were an assault force. The band's first album, Falling Right Down (1999), was all edge. You get inspiration from all kinds of things. There's probably more American influences when it comes to making music. "The Who, Pretty Things, Kinks, and stuff. "We listen to a lot of English bands," the band told Shade. Now, with two albums under its belt, the band seems to be the only one willing to put forth the effort to find a new way to say what's already been said countless times. "They soon changed personnel and became The Strollers." Taking its name from the Yardbirds' "Stroll On," the band now includes frontman/guitarist Lilja, Henrik Wind on (Farfisa) organ, bassist Joakim Dimberg, and drummer Karlsson.
#Jeff lorber fusion impact rar free
"In '92, a gang of 13-year-olds started out playing Chuck Berry covers under the name Free Force," reads a press release from Low Impact Records, the band's label. I Wanna Come Back (from the World of LSD) A rough copy of material that appears to have been destined for the album cover does not contain a track listing.Ġ4. The test pressing did not have a listing on the label. The band’s only album was the appropriately named From the Archives (Hot, 1984). Alongside the likes of Died Pretty, the Celibate Rifles, the Lime Spiders, the New Christs, the Hoodoo Gurus and the Eastern Dark, the Wet Taxis came to epitomise the Australian garage rock sound and aesthetic of the 1980s.
#Jeff lorber fusion impact rar plus
Their classic debut single on the Hot label, ‘C’mon’ (1984), boasted an authentic garage/R&B sound heavily influenced by such American garage/punk bands as the Moving Sidewalks, We the People and the Chocolate Watchband plus legendary Australian group the Atlantics (who originally issued the song as ‘Come On’ in 1967). Louis Tillett's first band, the Wet Taxis, commenced life as an experimental outfit in the manner of fellow Sydneysiders Severed Heads and Scattered Order before taking on a tougher 1960s-influenced direction. (Louis Tillett's first band - Vinyl LP_Test Pressing)